Showing posts with label Jeremy Renner. Show all posts
Showing posts with label Jeremy Renner. Show all posts

Friday, December 26, 2014

The Immigrant review

We all came here on boats, whether they be real or metaphorical. All of us, at one time or another, have known desperation. Defeat. Hunger. Pain. They are universal human emotions everyone can relate to on some level. Some have just experienced them on higher levels. We have all had family members leave us, but how many of us were there as they were taken, violently, away? James Gray's newest film, The Immigrant, understands hopeless desperation like few other motion pictures. It tells the story of Ewa Cybulska (Marion Cottilard), an poor woman from Poland who immigrates to America with her sister. Upon arrival, Ewa's sister is stripped away from her for tuberculosis treatment. A shadowy manipulative man named Bruno picks Ewa out from the crowd. He promises help for her and her sister. The spider has caught the fly. He is a pimp, and Ewa is his next prospect. Thus begins the epic dirge that is The Immigrant. A melancholy meditation on the American dream and everything that comes with it. Gray has learned from the great filmmakers of his past. Hints of early Coppola and Elia Kazan, even Scorsese are visible here. It is easy to tell how committed he is to make a solemn and sobering film that one of the names mentioned would have made in their prime. It seems like he is trying to make The Great American Film. Something to be looked back upon in wonder. It's his stoic commitment to that that is his downfall. The film sometimes comes across as stuffy and dreadfully solemn. Luckily, it recovers quickly. There are enough moments of gorgeous imagery and terrific performances to get past the shakier parts. But when it all works, it really works. Gray uses close-ups the way David Lean used wide landscape shots of the desert in Lawrence of Arabia. Cotillard's face fills the screen and her utter weariness becomes more than apparent. Things that some less talented filmmakers would have communicated in lengthy monologues or numerous and complicated scenes Gray instead communicates in a single shot of a character's face. Joaquin Phoenix's character is possibly the most complex in the entire film ranging from wicked to remorseful and even pitiful. All of this is made known in a few simple close-ups. This all made possible by the massively talented actors working in the film. Gray loves the foggy wide shots of Ellis Island, but where he really flourishes are in the smaller and more emotional scenes. The always great Jeremy Renner gives a wonderfully understated performance and adds multitudes to these scenes. The Immigrant is a film of bold and sobering ideas. Showing the painful trek someone goes through to find a better life. Prostitution and lies are simply a price to pay for freedom. Freedom, barely visible through insomnia-puffed eyes, that seems so close yet remains always out of reach. That fiery knot in the pit of the stomach that urges to push onward. It does not always pay off. The boats sometimes have holes. Behind the facade, lies the true meaning of the American Dream. It is not pretty. America is truly a place of opportunity. The ways in which we achieve that opportunity may not be as simple and easy as one would initially think. The Immigrant, like The Godfather Part II and many of its predecessors, understands this, for better or for worse. Not it is only up to us to understand it. The flag is in tatters yet, it still rises. It still rises. 

Sunday, December 29, 2013

American Hustle review

American Bullshit was the original title for the film. Which is so much better in my opinion.
American Hustle is a movie about cons, tricks, hustles, and lies. The plot itself is about that, and much of the movie has little things that reflect the whole "con" theme. In the beginning of the film, the screen reads the words, 'Some of this actually happened'. It's hard to tell what's real here. The whole movie is one big con. That's what makes it so damn fun. American Hustle is the kind of movie that you want to see again. You want to pick up on all the little things you missed, and also just enjoy it all again. The film is about a con artist named Irving Rosenfeld (Christian Bale) who, through a series of not-so-legal business transactions, gets himself involved in a sting operation led by federal agent Richie DiMaso (Bradley Cooper) involving the mafia and Camden New Jersey Mayor Carmine Polito (Jeremy Renner). Swept up with him are his business colleague/lover, Sydney Prosser (Amy Adams), and his crazy wife Rosalyn (Jennifer Lawrence). This is directed by David O. Russell. I'm not as familiar with his filmography as I should be, but his last movie, Silver Linings Playbook, was one of my favorite films of last year. He's done it again with American Hustle, because this is one of my favorite movies of this year. It's actually pretty amazing that this guy can make a spectacular film one year and pretty much immediately make another hit. This movie is crazy entertaining with some awesome performances and a really good screenplay. The film takes place in the 70's. Although it was the actual time the ABSCAM operation, it's also an ideal setting for the movie. The 70's was an era of fake hair, which there is a lot of in this film, and fake music. This whole movie is about fakery, cons, and other stuff of that nature. The whole 70's setting works perfectly for the film. The whole movie just works so well. If you haven't heard by now, the acting here is terrific. Christian Bale is the obvious standout playing the head con artist, Irving Rosenfeld. He gained a decent amount of weight for the role, but his performance is much more than aesthetic. He portrays his character perfectly. Everything from his Bronx accent to his 'elaborate' comb over. While his character is funny, it could be easily turned into a thin caricature. Bale, despite all his cons and tricks, makes the character seem completely real. It's amazing how damn versatile he is. Going from a psycho killer, to Batman, to this takes some skill. Christian Bale obviously has skill. The female leads here are also great. Amy Adams gives another knock out performance as Rosenfeld's partner with a fake British accent, Sydney Prosser. Amy Adams has continued to prove that she is a more than capable actress. She was awesome in last year's The Master. She's even better here and I hope she wins an Oscar for this role. I can honestly say she is one of my favorite actresses. Jennifer Lawrence already won an Oscar for David O. Russell's last film. I wouldn't be surprised if she won again. It's incredible how she can give a great performance in a small indie film, then star in The Hunger Games and in the new X-Men movie, then star in two smaller, more acclaimed films. You could say she's the female Christian Bale. Anyway, she's fantastic here. most of the time she plays a very likable character. Here she's playing a crazy and generally annoying character. And she does it very,very well. Bradley Cooper is really good too. Which if two years ago you called Bradley Cooper a very good actor I would have laughed in your face. After Silver Linings Playbook, The Place Beyond The Pines, and this, I have a lot of faith in Mr. Cooper. Jeremy Renner has a smaller role as Mayor Carmine Polito and i know he's going to get zero recognition for his role but I thought he did a great job. Renner is a very underrated actor. Although American Hustle has done very well critically, recently I've heard a lot of complaints about how overrated it is and how it will win Best Picture but won't deserve it. It's not The Wolf of Wall Street but I'd be perfectly happy if this won Best Picture. It's certainly making my Best of the Year list and I would certainly see it again. American Hustle is one of the most enjoyable films I've seen all year and it entertained the hell out of me. It combined comedy and serious filmmaking very expertly. It's soundtrack also worked really, really well. I am going to give American Hustle 4.8 out of 5 stars. Happy Viewing you guys. Remember you can always follow me on Twitter @WhitsMovies and like me on Facebook at Facebook.com/WhitsMovies.        

Monday, December 23, 2013

The Assassination of Jesse James by the Coward Robert Ford review

Sam Rockwell is good in literally everything. Everything.
Recently I've been hearing a lot about how good this film is. There was a revival screening in New York and some of my favorite critics to read were doing re-reviews praising it. It's written and directed by Andrew Dominik, who wrote/directed last years Killing Them Softly (also with Brad Pitt). I really enjoyed Killing Them Softly, and because I'm watching a lot of westerns this month, I thought this would be a great movie to review. And I think I'm right. The story is a very well done, and almost heartbreaking in a way. Young Robert Ford (Casey Affleck) has always idolized the outlaw Jesse James (Brad Pitt). He's kept dime novels telling of James' escapades under his bed for years, constantly reading them. He collects other memorabilia relating to Jesse and the James gang. Ford wants nothing more than to be a member of the James gang. Soon, it seems like he may get his chance. But Robert gets involved in police work and starts to question whether Jesse James is the man he thought he was. Ultimately leading to what the title told you will happen.  Now regardless of everything, let me get it out of the way right now and tell you that The Assassination of Jesse James is the most beautiful western, possibly even most beautiful film, I've ever seen. Roger Deakins should have won the Oscar he was nominated for for cinematography. The shots are utterly astounding.I don't want to sound too corny with saying that but this truly is a breathtaking film to look at. This could be a poorly written, poorly acted, and generally ridiculous film, but the cinematography would still make it worth the watch. Granted, it is a well written, well acted, and generally awesome film that also has mind blowing cinematography and camera work. It's no perfect movie though. At times I was riveted and even entertained by this film. At other times I felt quite bored, and it started to really drag. But that was only occasionally. Most of the time though, I was in love with Jesse James (the movie, not the person). Dominik uses this novel-style narration for the movie that really works well. Especially against Deakins' beautifully filmed backdrop. I remember thinking how great Andrew Dominik was when I watched Killing Them Softly, now I know that this guy is going places. The performances here are great too. Brad Pitt is more than capable to no one's surprise. Pitt may be the biggest name here but Casey Affleck is the real star. Casey Affleck blew me away as Robert Ford. No wonder the guy got an Oscar nod for this! I've seen Affleck in some other stuff like Good Will Hunting and the Ocean's movies, but never like this. He really shows the pain Ford felt of being overshadowed by his older brother and how all he wanted was to be like Jesse James. Affleck portrays Robert Ford with the perfect mix of sad rejection, want for fame, and anger for everyone. Who knew Ben Affleck's brother had such acting talent? Jeremy Renner, Sam Shepard, and the always great Sam Rockwell give some good supporting roles (especially Rockwell). Many westerns focus more on a journey, or the violence, or some needless plot point. The Assassination of Jesse James by the Coward Robert Ford focuses on the characters and their emotions, the weather and the landscapes, and so much more. This is a much more thoughtful and articulate western than many I've seen. This isn't The Lone Ranger my friends. Westerns are declining in popularity already, and the fact that this was much more different then what people thought it would be, are probably the reasons this movie did so poorly commercially when it was released. It's really a shame considering how damn good this film actually is. If you haven't seen this, I urge you to immediately. Even though you already know the ending. I don't want to say this is my favorite western of all time, but I don't want to say it's not either. After a couple more viewings, I can say this may find it's way unto my favorite of all time list. Also, Roger Deakins' cinematography. That guy is great. He shot Prisoners, Skyfall, and some other stuff and is always astounding. Just see the movie. Happy Viewing guys, and if I don't see ya, Happy Holidays! Don't forget to follow me on Twitter @WhitsMovies and like me on Facebook at Facebook.com/WhitsMovies if you haven't already.