The Master or The Young Man and the Sea: A Deconstruction of Paul Thomas Anderson's Exquisite Masterwork

Freddie Quell is a bird of the vast, grey, and infinite sky. He drifts through life like dust motes in a shaft of afternoon light. Women, jobs, alcohol, and people in general try to pin him down. To label him, diagnose him, explain him. Put him in the cold dank prison cell we all call a purpose. Many think they have the answers to Freddie, they know what's wrong with him. Whether it be doctors, therapists, or Philip Seymour Hoffman's charismatic cult leader Lancaster Dodd. Many try, but they all fail. Quell is a character like that of some elusive and far away indecipherable message. One can try and understand him, to grasp him and fit him into a peg in society, but they will fail. When Paul Thomas Anderson's The Master was released in 2012, a common criticism was that Joaquin Phoenix's character Freddie Quell did not change, evolve, or develop. He started out a confused and mumbling drunk and then stayed that way throughout the entire movie. What critics failed to realize was that Quell wasn't supposed to change. To have him develop would be completely disregarding everything the film has worked to establish. In fact, in launching this very complaint at the movie critics themselves are falling prey to the exact mistake almost every character in the film made: they tried to put Freddie under an umbrella. This is an impossible feat. He is a man so broken by the war, by life. Left with nothing to do but float drunkenly through the bottomless abyss of this here world we are all prisoner to. Freddie is the unchanging sea. Try as we might, we simply cannot chart his waters. No Captain Cook could ever penetrate through the exterior of him. Philip Seymour Hoffman's last monologue sums it all up perfectly: "Free winds and no tyranny for you, Freddie, sailor of the seas. You pay no rent, free to go where you please. Then go, go to that landless latitude and good luck. If you figure a way to live without serving a master, any master, then let the rest of us know, will you? For you'd be the first in the history of the world." Freddie is a seaman, a directionless drifter who is bound by no chains, subjugated by no master. The film opens with a beautiful shot that repeats throughout the film. The flowing vibrant blue ocean. It is breathtaking simple. It is Freddie Quell himself. At another point in the beginning of the movie, Freddie lies down next to a woman he has crafted out of sand on the beach. In what I believe is the very last shot of the film, he once again lies down next to this mysterious sand mistress in an almost identical shot. He has not changed. Held down by no bride, he chooses to lie with the alluring beauty of the sea. I've often hear people complain about this movie in that it is too confusing and has little to say. Hogwash, says I. Anderson awes us and entrances us with his visuals and complex story about cults and religion. Yet, at heart The Master is truly about one man and his quest for ultimate freedom. A man so detached and broken off from the regularity of society he can only drift among the eternal waves of the Pacific. The film takes a look at the effects of war on a single man, but doesn't do it in the same formulaic way we have all seen before.  In many ways, Freddie's inherent wanderlust has made him a better person than most of the characters in the film. He, at least, is outright with his flaws of drunkenness and laziness. He does not hide behind any veneer, nor does he make himself slave to his intricacies and downsides. Everyone else in the film chains themselves to their persona's and auras of perfection they think they have. Amy Adams character looks down on Freddie as a boozer and possible criminal, but is too cold and uppity to see her own problems. Hoffman's Lancaster Dodd is so trapped in his hubris and power trip he simple cannot realize that he shouldn't try to change Freddie, but that it's really himself that needs changing. The Master in this film is not Dodd, but Quell. A man who in having no master, has become the master himself. Master of living life the way he sees fit. Like an eagle flapping its wings, Freddie glides along the winds of pure freedom and easy living. He is a man out of place in time, for there is no real time for Freddie. He lives outside the boundaries of linear time. His time is an ocean, and he is commander of the ship sailing on its waves. The Master is a beautiful, somewhat misunderstood, masterpiece from the Kubrick of today. An austere and wondrous tone poem that looks at humanity for what we are. "So we beat on, boats against the current, borne back ceaselessly into the past." I believe F.Scott Fitzgerald unintentionally sums up the film best.

Her review

Spike Jonze is awesome.
The guy has done some great stuff. Being John Malkovich is genius and one of my favorite movies. Adaptation was really good also. Where the Wild Things Are, while not as good as his past directorial efforts, was beautiful and pretty good. None of them compare to Her. I have to admit, as good as it looked originally, I was quite skeptical. All the critics were praising it so much and it was winning so many awards. This made me skeptical because I thought that the amount it was being hyped, the film could never live up to. I was dead wrong. It lived up to it, and then some. Her is about Theodore Twombly. (Joaquin Phoenix) He's going through a tough divorce. Theodore is lonely, so he buys an artificially intelligent operating system (with the voice of Scarlett Johansson) named Samantha. Slowly, Theodore falls in love with Samantha, and Samantha falls in love with Theodore. Thus begins the beautifully strange movie that is Her. Honestly, if you haven't seen the movie yet, just stop reading and go see it now. I wouldn't want to ruin anything. Her is great for a number of reasons. It shows the relationship between Theodore and Samantha, not as this strange weird thing, but as an understandable and real relationship. You almost begin to understand why this is happening. The whole human/operating system relationship is surprisingly easily to understand and relate to. Spike Jonze did a fantastic job with that. And Scarlett Johansson did a great job too. I can imagine it's hard to communicate all the emotion and feeling she did with just her voice. That worked really well. The whole new take on the modern relationship was very clever and well done, but it's not the only thing that makes this film so great. Spike Jonze does a great job of seeing where we might be in only a few years. Sure some of the technology is more advanced, but it's not too far away from where we are now. It's kind of awesome and kind of scary that stuff like this could happen in our lifetime. Jonze makes this near-future seem real and comparable to our society now. At one point, Theodore is sitting on the steps leading up from the subway. This is one of the first times in the film when he isn't completely absorbed by Samantha and his phone or computer. He watches as people come up the steps. Every person is talking to their operating system or looking at their phone. It's a sad moment, but if you think about it, it's just a reflection of today. Spike Jonze covers that beautifully, without hitting you over the head with it. He also manages to cover and explain all the questions problems with artificial intelligence. Jonze brings up a lot of other points about consciousnesses and being. Some great films before it like Moon and Blade Runner have dealt with similar issues, but not to the extent the Her has. It's astounding the level of creativity and emotion Spike Jonze put into this film. As cheesy as it sounds, Her made me laugh, cry, smile, and question life. It's some movie. Her is about the relationship between a man and his operating system, but it's also about so much more. I'm having trouble putting my feelings and what I think about this movie into words because the movie is just so good. Her is, without a doubt, the best film of the year. The writing and directing is fantastic, the themes are so well dealt with, and the acting is great. Joaquin Phoenix is obviously a great actor. He's been terrific in stuff like The Master and Gladiator. Her is one of his better performances. He portrays Theodore perfectly, not making him a sad-sack loser, but still showing that he is a lonely and hurt man. Phoenix carries a decent chunk of the film on his back, but he does it expertly. Amy Adams is great too, as Theodore's friend Amy. Amy Adams is having a great year. First she was in the big budget Man of Steel. Then gave a great performance in American Hustle. Now she shows off her talent again in Her. She's getting a lot of recognition for American Hustle, but I'm surprised she got none for Her. I don't know what else to say, just go see the film and you'll understand what makes Her such a masterpiece. I hope Spike Jonze does more solo stuff because this was brilliant. I give Her 5 out of 5. It is truly the best film of the year. Happy Viewing and Happy New Year! You can always stay up to date by following me on Twitter @WhitsMovies and liking me on Facebook at Facebook.com/WhitsMovies.      

American Hustle review

American Bullshit was the original title for the film. Which is so much better in my opinion.
American Hustle is a movie about cons, tricks, hustles, and lies. The plot itself is about that, and much of the movie has little things that reflect the whole "con" theme. In the beginning of the film, the screen reads the words, 'Some of this actually happened'. It's hard to tell what's real here. The whole movie is one big con. That's what makes it so damn fun. American Hustle is the kind of movie that you want to see again. You want to pick up on all the little things you missed, and also just enjoy it all again. The film is about a con artist named Irving Rosenfeld (Christian Bale) who, through a series of not-so-legal business transactions, gets himself involved in a sting operation led by federal agent Richie DiMaso (Bradley Cooper) involving the mafia and Camden New Jersey Mayor Carmine Polito (Jeremy Renner). Swept up with him are his business colleague/lover, Sydney Prosser (Amy Adams), and his crazy wife Rosalyn (Jennifer Lawrence). This is directed by David O. Russell. I'm not as familiar with his filmography as I should be, but his last movie, Silver Linings Playbook, was one of my favorite films of last year. He's done it again with American Hustle, because this is one of my favorite movies of this year. It's actually pretty amazing that this guy can make a spectacular film one year and pretty much immediately make another hit. This movie is crazy entertaining with some awesome performances and a really good screenplay. The film takes place in the 70's. Although it was the actual time the ABSCAM operation, it's also an ideal setting for the movie. The 70's was an era of fake hair, which there is a lot of in this film, and fake music. This whole movie is about fakery, cons, and other stuff of that nature. The whole 70's setting works perfectly for the film. The whole movie just works so well. If you haven't heard by now, the acting here is terrific. Christian Bale is the obvious standout playing the head con artist, Irving Rosenfeld. He gained a decent amount of weight for the role, but his performance is much more than aesthetic. He portrays his character perfectly. Everything from his Bronx accent to his 'elaborate' comb over. While his character is funny, it could be easily turned into a thin caricature. Bale, despite all his cons and tricks, makes the character seem completely real. It's amazing how damn versatile he is. Going from a psycho killer, to Batman, to this takes some skill. Christian Bale obviously has skill. The female leads here are also great. Amy Adams gives another knock out performance as Rosenfeld's partner with a fake British accent, Sydney Prosser. Amy Adams has continued to prove that she is a more than capable actress. She was awesome in last year's The Master. She's even better here and I hope she wins an Oscar for this role. I can honestly say she is one of my favorite actresses. Jennifer Lawrence already won an Oscar for David O. Russell's last film. I wouldn't be surprised if she won again. It's incredible how she can give a great performance in a small indie film, then star in The Hunger Games and in the new X-Men movie, then star in two smaller, more acclaimed films. You could say she's the female Christian Bale. Anyway, she's fantastic here. most of the time she plays a very likable character. Here she's playing a crazy and generally annoying character. And she does it very,very well. Bradley Cooper is really good too. Which if two years ago you called Bradley Cooper a very good actor I would have laughed in your face. After Silver Linings Playbook, The Place Beyond The Pines, and this, I have a lot of faith in Mr. Cooper. Jeremy Renner has a smaller role as Mayor Carmine Polito and i know he's going to get zero recognition for his role but I thought he did a great job. Renner is a very underrated actor. Although American Hustle has done very well critically, recently I've heard a lot of complaints about how overrated it is and how it will win Best Picture but won't deserve it. It's not The Wolf of Wall Street but I'd be perfectly happy if this won Best Picture. It's certainly making my Best of the Year list and I would certainly see it again. American Hustle is one of the most enjoyable films I've seen all year and it entertained the hell out of me. It combined comedy and serious filmmaking very expertly. It's soundtrack also worked really, really well. I am going to give American Hustle 4.8 out of 5 stars. Happy Viewing you guys. Remember you can always follow me on Twitter @WhitsMovies and like me on Facebook at Facebook.com/WhitsMovies.