There Will Be Blood

Towards the beginning of Paul Thomas Anderson's 2007 film, There Will Be Blood, there is a shot that descends from the bright sun-washed Californian desert into a dark long hole filled with oil. Below, is Daniel Plainview. This is where the movie begins, in Plainview's "heart of darkness." Daniel Plainview is not a man, not in the traditional sense at least. He is a demon, a devil, a fiery being whose origins unknown. It is not wholly unbelievable that he was simply begat by the bowels of the Earth, thrown forth in some vicious gushing of oil. Daniel Plainview cannot be a man, for he is far too ruthless to be anything other than supernatural. A god made of anger, gristle, fury, and determination. He is the ultimate personification of all of the greed and evil in America, a build up of pure corruption. Yet, one cannot help but feel a sense of respect for the character of Plainview. He is a "bad person", yes. But, he got to where he is all on his own. All of the oil wells and land and money he has procured, he has procured himself. One looks at him with the same fearful admiration they would of Adolf Hitler. A man of unconscionable evil, but he's worked hard to get all that evil. One of the greatest actors of our time, Daniel Day-Lewis, portrays the character of Plainview. With a role like this, many other actors would make the character campy. Day-Lewis makes it one of the most intense and horrifying performances I have ever seen. It is a fact that he is great here, an indisputable one at that. It is a performance so good, people often overlook the other fantastic elements of the movie. There Will Be Blood, after all, is directed by Paul Thomas Anderson. A filmmaker who I firmly believe is one of the best, if not THE best, person working in the movies today. There Will Be Blood is his masterpiece. A masterpiece, coming from a man who has made such films as Magnolia, Boogie Nights, and The Master is an extraordinary feat. The filmmaking on display in Blood is comparable to the best work of Stanley Kubrick. I do not make these claims lightly. Anderson began his career making brilliant character ensemble pieces. He frequently referenced his directing heroes, people like Martin Scorsese and Jonathan Demme. With Blood, he proves that he can make a film so purely his own. He also proved he is a true genius with filmmaking. I struggle to think of any other filmmaker who not only fully understands the human condition and how to write it but also how to film it. With There Will Be Blood, Anderson has cemented his name in the history books. At its very core, the film is about good versus evil. The pious preacher Eli Sunday (played by Paul Dano) up against the violent oil man, Daniel Plainview. In any other movie, good would prevail because goodness always rises above the evil. Yet, in real life that is not always the case. Eli Sunday may be a man of god, but his hands are far from clean. In the end, the most godly man does not win out, but the man who is most equipped. In some sense, There Will Be Blood is a perfect argument for Darwin's "survival of the fittest theory". The film takes place in between the years 1898 and 1927. An epic expanse of time that ends right at the edge of national disaster. The Great Depression. The events take place on the brink of a collapse. An apocalypse. At the end of the movie, Plainview (who at this point is near insanity) begins to scream "I am the Third Revelation! I am who the lord has chosen!" This line might be more than just ramblings of a man gone mad. Plainview is the harbinger of  the end. A horseman riding a steed made of oil, evil, and greed. He is the lord of his wide desert expanse. The very end of the film is the ultimate summation of Plainview's insane determination. It is the American Dream, like it or not. It does not come with a majestic waving of the flag over a bright blue sky, but with a bowling pin smashing down on a man's head. This is America. This is Daniel Plainview's America. Anderson does not point his finger at capitalism or at corruption in this country, he simply shows us it and laughs. With There Will Be Blood, Paul Thomas Anderson has more or less crafted a perfect film. I have seen the movie three times now and I can say that with the utmost confidence. It is a cinematic landmark that will be remembered for a long time.

12 Years a Slave review

This film is directed by Steve McQueen. The art house director, not "The King of Cool". Just wanted to clear that up.

I've heard a lot of people call 12 Years a Slave 'the best movie they never want to see again'. I couldn't disagree more. While 12 Years a Slave is a damn good film, I would love to see it again. Many people are saying how gruesome and visceral it is. It was hard to watch at parts, sure. Yet, I feel like multiple viewings would be helpful in getting a truly full experience from the movie. All the terrific performances and techniques the movie has are just too good not to see again. Some movies, like Lincoln for example, were very well done, yet so incredibly boring that I wouldn't want to sit through it again. 12 Years a Slave isn't boring. I know the reason people wouldn't want to see it again is because of how sad and violent it is. Even so, I'd still want to recreate the incredible experience it was to see this film again. The movie is really gritty and bloody. but that's how it should be. A movie about the horror's of slavery shouldn't be sugar coated and censored. Therefore the sheer bloodiness of the film is unfortunately necessary. I hope the academy doesn't snub McQueen with a Best Director nod like they did with Kathryn Bigelow and Quentin Tarantino last year for the subject matter of their movies. 12 Years a Slave is well acted, directed, and shows an unbelievable true story for what it is: a tale of survival and horror. It's not Hollywood-ized or made into some heroic adventure tale. Yeah, it's heartbreaking and sometimes very painful to watch, but it works. I think it's safe to say 12 Years a Slave is one of the better films of the year. Solomon Northup (Chiwetel Ejiofor) is a well-to-do free black man with a nice family living in Saratoga, New York. One day, he is kidnapped and sold into slavery. His past life is stripped away and everything that once mattered to him is seemingly forgotten. Even his name is changed. He is first a slave under the kind Master Ford (Benedict Cumberbatch). Unfortunately, Ford's second in charge, named Tibeats (Paul Dano), is quite cruel and hates Solomon right away. A series of brutal events leads Solomon to serve under the crueler and angrier Master Edwin Epps (Micheal Fassbender). There, he is worked hard and beaten. Northup's will is put to the test. At Epps' plantation is where he spends most of his time in the film. Solomon's fantastic skill of playing the violin is of some help, but he is still targeted by Epps and his wife. Some of the most depressing and harsh moments take place in this point of the movie. As harsh as they were, they were necessary in making the movie as realistic and gritty as it is. I can't stress that enough. As I said before, the performances are terrific. The best being form Chiwetel Ejiofor and Micheal Fassbender. I feel like Benedict Cumberbatch and Brad Pitt could have given some truly memorable portrayals here, but they are only given a very small amount of screen time. I have no doubt whatsoever that Ejiofor will get a Best Actor nomination and I hope Fassbender will get a Supporting nod. The acting, while good, isn't the only good part of the film. McQueen does a great directing job here. Regretfully, I haven't seen Shame or Hunger (yet!) but I already know he will go on to be one of the great directors of our time. 12 Years a Slave is filmed with a certain character-based realism that almost made me believe I was there. At the end there's a close up shot of Ejiofor's face with the background blurred out. The rack-focus close up technique ,especially used with Chiwetel Ejiofor, just shows how worn out and weary the once free man was. It's powerful stuff. I was expecting 12 Years a Slave to be a pretentious over-hyped bore. It wasn't any of that. As much as I loved Prisoners, I think '12 Years' tops it as Best Movie of the Year So Far. Believe the hype. 12 Years a Slave is damn good. I give 12 Years a Slave 5 out of 5 stars. You can follow me on Twitter @WhitsMovies and like me on Facebook at Facebook.com/WhitsMovies.