Showing posts with label Blue Jasmine. Show all posts
Showing posts with label Blue Jasmine. Show all posts

Saturday, May 17, 2014

Crimes and Misdemeanors

If The Coen Brothers and Woody Allen joined consciences and then made a movie, that movie would be Crimes and Misdemeanors. And I mean that in the best way possible. Woody Allen is the king of comedy in my mind. There scenes in his 1977 film, Annie Hall, that make me laugh harder than practically anything else. I love his brand of cynical New York humor. It really clicks with me. What I particularly like, is when he acts in his own movies. No one delivers his dialogue better than himself. His role in Hannah and Her Sisters is one of the funniest and more brilliant comic performances I may have ever seen. I really do love his comedies. It's his dramatic stuff that I'm not such a fan of. I was incredibly disappointed with his newest movie, Blue Jasmine. It felt very stuffy and seemed to take itself a little too seriously. Although many people love it, I was more than let down with his 2005 film, Match Point. Although I'd be willing to rewatch it and see what I think now. I was a little worried about Crimes and Misdemeanors. It was supposed to be slightly more dramatic than his earlier stuff. Woody's drama work has never wowed me, so I was very cautious when going into this movie. I shouldn't have been. Crimes and Misdemeanors blends taught drama and side splitting comedy like few films I've ever seen. It works so well on so many different levels. Allen knows exactly what he wants to say, and boy, does he say it well. It's about a successful ophthalmologist, Dr.Judah Rosenthal (Martin Landau), who is having an affair with an unstable women named Dolores (Anjelica Huston). Things with Dolores are going south for him, and she is starting to threaten his own life and marriage, so Judah must do something drastic. And do it fast. Meanwhile, a struggling documentary filmmaker, Clifford Stern (Woody Allen), has fallen in love with another women (Mia Farrow). In a nutshell, Crimes and Misdemeanors is about infidelity (a reoccurring theme in Allen's movies), morality, and the human condition. But Allen deals with these films in a joking and wonderful manner, never taking himself too seriously. That's what makes this film work so well. It reminded me of a Coen Brothers film in the sense that it develops a near perfect balance between a comedy flick and a dark crime thriller. Similar to something like Fargo, Barton Fink, or Blood Simple. There are moments, for example, when Clifford Stern makes a documentary on Alan Alda's character. A phony television producer, Lester. The film put's Lester in a negative light. This angers him so much he fires Clifford. You see him later walking in a park with Mia Farrow saying "What was he so angry for? You'd no one had ever compared him to Mussolini before." It's a very funny scene. But it's paired with murder, adultery, suicide, and serious philosophical questions. In the hands of a more inept director and writer, this would turn into an uneven mess. With Woody Allen in charge, it becomes a something truly great. Martin Landau's plight seems dark and even claustrophobic. The plight of Woody Allen's character is like something out of a Woody Allen movie. Who knew they'd go together so well? Crimes and Misdemeanors asks "Who is right in this situation?" "Who is the hero?" "Is anyone to be trusted?" The answer to those questions? Well, I'll let you watch the movie.  Overall, Crimes and Misdemeanors is a fantastic outing by the neurotic master of comedic infidelity, Woody Allen. Great acting, a sharp screenplay, and terrific direction make this a modern classic. I'm sure it's one for everyone will enjoy. Me? I'm just looking forward to when I can watch this again. Remember! You can follow me on Twitter @WhitsMovies and like me on Facebook at Facebook.com/WhitsMovies. Happy Viewing.        

Thursday, December 5, 2013

#tbt Annie Hall review

"I'd never want to belong to a club that would want someone like me as a member."
This is how comedian Alvy Singer (Woody Allen) describes his love life. Finally being with a woman he wants to be with, and soon growing bored and detached, eventually leaving her. Soon Alvy meets Annie Hall (Diane Keaton), a lovable and occasionally clumsy girl who he soon falls deeply in love with. Woody Allen creates a relationship and a story that is very funny and fresh. I haven't seen a romantic comedy done this well since Eternal Sunshine of the Spotless Mind. Annie Hall is the movie that pretty much rocketed Woody Allen to stardom and placed him on everyone's top directors list. It's the film that everyone points to as a sign of Allen's genius. It won 4 Oscars, including Best Picture. I can see why it's not just brilliant, it's one of those movies that may have actually changed film itself. So yeah, I think it's safe to say Annie Hall is pretty good. And it's a real shame I haven't seen it until now. Woody Allen's most recent film, Blue Jasmine, got a lot of praise and is even getting some awards buzz. Personally, I didn't think it was all that great. It had some really nice performances, but overall it just wasn't that special. But I'm not here to review Blue Jasmine. What I can say, is that Annie Hall makes Blue Jasmine look like Grown Ups 2. It's that good, I assure you. Spike Lee sometimes uses the technique of talking to the camera. That same documentary-style technique is used in many TV shows today like The Office, Parks and Recreation, and Modern Family. It seems to have all started with Annie Hall. The film has such a simple plot: a man looks back at his broken relationship wondering what went wrong. Yet, Allen makes it work so well. I've never been as captivated and entertained by a romantic comedy like I was with Annie Hall. It's so well done. Especially the screenplay, written by Woody Allen himself, is so witty and smart. It mixes very interesting and original techniques with pop culture references and poignancy into a truly fantastic movie. There's one scene in particular where Alvy and Annie are just getting to know each other and are talking on Annie's roof. They're making small talk, but in subtitles is what they're actually thinking. Alvy will say one thing, but underneath him it'll say "I wonder what she looks like naked.". It's really quite clever. I probably don't have enough life experience to "get" Annie Hall. But I can still enjoy it. And boy, did i enjoy it. If I watch Annie Hall a few more times, I'm sure it'll make it as one of my favorites of all time. Maybe it already is. Annie Hall is the kind of movie you want to watch again. Happy Throwback Thursday and as always, Happy Viewing. You can follow me on Twitter @WhitsMovies and like me on Facebook at Facebook.com/WhitsMovies!
P.S. I've decided to devote this month to westerns. So for the rest of the month I'll be watching and reviewing exclusively westerns in order to really understand the genre as a whole. Then at the end of all that I'm going it write a piece on my thoughts about the entire western genre. Just wanted to let you guys know so you're not wondering why I'm only doing westerns for my next Throwback Thursday reviews. Thanks for reading!